-American Literature

One of the Best Science Fiction and Fantasy Books of the past decade, selected by NPR

One of the 50 Best Sci-Fi Books of All Time, selected by Esquire

One of the 100 Most Influential Queer Books of All Time, selected by Booklist

A Best Book of 2017: NPR, The Guardian, Publishers Weekly, Library Journal, Bustle, Bookish, Barnes & Noble, Chicago Public Library, Book Scrolling.

CLMP Firecracker Award Winner

A Stonewall Book Award Honor Book

Finalist for the 2018 Locus Award, John W. Campbell Award for Best New Writer, and the Lambda Literary Award.

Nominated for the 2018 Hurston/Wright Legacy Award for Debut Novel

"What Solomon achieves with this debut--the sharpness, the depth, the precision--puts me in mind of a syringe full of stars. I want to say about this book, its only imperfection is that it ended. But that might give the wrong impression: that it is a happy book, a book that makes a body feel good. It is not a happy book. I love it like I love food, I love it for what it did to me, I love it for having made me feel stronger and more sure in a nightmare world, but it is not a happy book. It is an antidote to poison. It is inoculation against pervasive, enduring disease. Like a vaccine, it is briefly painful, leaves a lingering soreness, but armors you from the inside out."
--NPR

"In Rivers Solomon's highly imaginative sci-fi novel An Unkindness of Ghosts, eccentric Aster was born into slavery on--and is trying to escape from--a brutally segregated spaceship that for generations has been trying to escort the last humans from a dying planet to a Promised Land. When she discovers clues about the circumstances of her mother's death, she also comes closer to disturbing truths about the ship and its journey."
--BuzzFeed

"What Solomon does brilliantly in this novel is in the creation of a society in which dichotomies loom over certain aspects of the narrative, and are eschewed by others...Hearkening back to the past in visions of the future can hold a number of narrative purposes...The past offers us countless nightmares and cautionary tales; so too, I'm afraid, can the array of possible futures lurking up ahead."
--Tor.com

"This book is a clear descendent of Octavia Butler's Black science fiction legacy, but grounded in more explicit queerness and neuroatypicality."
--AutoStraddle

"Ghosts are 'the past refusing to be forgot, ' says a character in this assured science-fiction debut. That's certainly the case aboard the HSS Matilda, a massive spacecraft arranged along the cruel racial divides of pre-Civil War America."
--Toronto Star

Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, she'd be powerful enough to tear down the walls around her until nothing remains of her world.

Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot--if she's willing to sow the seeds of civil war.

 The 1987 Winner of the Pulitzer Prize for Drama

From August Wilson, author of The Piano Lesson and the 1984-85 Broadway season's best play, Ma Rainey's Black Bottom, is another powerful, stunning dramatic work that has won him numerous critical acclaim including the 1987 Tony Award for Best Play and the Pulitzer Prize. The protagonist of Fences (part of Wilson’s ten-part “Pittsburgh Cycle” plays), Troy Maxson, is a strong man, a hard man. He has had to be to survive.  Troy Maxson has gone through life in an America where to be proud and black is to face pressures that could crush a man, body and soul. But the1950s are yielding to the new spirit of liberation in the 1960s... a spirit that is changing the world Troy Maxson has learned to deal with the only way he can...a spirit that is making him a stranger, angry and afraid, in a world he never knew and to a wife and son he understands less and less...

'Connie was aware, however, of a growing restlessness...It thrilled inside her body, in her womb, somewhere, till she felt she must jump into water and swim to get away from it; a mad restlessness. It made her heart beat violently for no reason...'

Lady Constance Chatterley is trapped in a loveless marriage to a man who is impotent. Oppressed by her dreary life, she is drawn to Mellors the gamekeeper. Breaking out against the constraints of society she yields to her instinctive desire for him and discovers the transforming power of physical love which leads them both towards fulfilment.

Banned for many years for its frank depiction of sex, Lady Chatterley's Lover was first published by Penguin in 1960 and was at the centre of a sensational obscenity trial at the Old Bailey. D. H. Lawrence himself called it 'the most improper novel in the world'.

The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present--in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem.

"They shoot the white girl first. With the rest they can take their time." So begins Toni Morrison's Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage.

"A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate." --Los Angeles Times

A moving reflection on a subject that touches us all, by the bestselling author of Claire of the Sea Light

Edwidge Danticat's The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. "Writing has been the primary way I have tried to make sense of my losses," Danticat notes in her introduction. "I have been writing about death for as long as I have been writing." The book moves outward from the shock of her mother's diagnosis and sifts through Danticat's writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez's One Hundred Years of Solitude to Toni Morrison's Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a beautiful, heartrending prayer in the voice of Danticat's mother. A moving tribute and a work of astute criticism, The Art of Death is a book that will profoundly alter all who encounter it.

A vulnerable young girl wins a dream assignment on a big-time New York fashion magazine and finds herself plunged into a nightmare. An autobiographical account of Sylvia Plath's own mental breakdown and suicide attempt, "The Bell Jar" is more than a confessional novel, it is a comic but painful statement of what happens to a woman's aspirations in a society that refuses to take them seriously... a society that expects electroshock to cure the despair of a sensitive, questioning young artist whose search for identity becomes a terrifying descent toward madness.

"A fine novel, as bitter and remorseless as her last poems -- the kind of book Salinger's Fanny might have written about herself ten years later, if she had spent those ten years in Hell." -- Robert Scholes, "The New York Times Book Review."

"By turns funny, harrowing, crude, ardent and artless. Its most notable quality is an astonishing immediacy, like a series of snapshots taken at high noon." -- "Time."

"A special poignance... a special force, a humbling power, because it shows the vulnerability of people of hope and good will." -- "Newsweek."

THE BLUEST EYE chronicles the tragic, torn lives of a poor black family in 1940s Ohio: Pauline, Cholly, Sam and Pecola. Pecola, unlovely and unloved, prays each night for blue eyes like those of her privileged blond white schoolfellows. She becomes the focus of the mingled love and hatred engendered by her family's frailty and the world's cruelty as the novel moves toward a savage but poignant resolution.

Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with a woman half his age. And it's not the secret of his alleged racism, which provoked the college witchhunt that cost him his job. Coleman's secret is deeper, and lies at the very core of who he is, and he has kept it hidden from everyone for fifty years. Set in 1998, with the backdrop of the impeachment of a president, "The Human Stain" shows us an America where conflicting moralities and ideological divisions result in public denunciations and houndings, and where innocence is not always a good enough excuse.