-American Literature

One of the Best Science Fiction and Fantasy Books of the past decade, selected by NPR

One of the 50 Best Sci-Fi Books of All Time, selected by Esquire

One of the 100 Most Influential Queer Books of All Time, selected by Booklist

A Best Book of 2017: NPR, The Guardian, Publishers Weekly, Library Journal, Bustle, Bookish, Barnes & Noble, Chicago Public Library, Book Scrolling.

CLMP Firecracker Award Winner

A Stonewall Book Award Honor Book

Finalist for the 2018 Locus Award, John W. Campbell Award for Best New Writer, and the Lambda Literary Award.

Nominated for the 2018 Hurston/Wright Legacy Award for Debut Novel

"What Solomon achieves with this debut--the sharpness, the depth, the precision--puts me in mind of a syringe full of stars. I want to say about this book, its only imperfection is that it ended. But that might give the wrong impression: that it is a happy book, a book that makes a body feel good. It is not a happy book. I love it like I love food, I love it for what it did to me, I love it for having made me feel stronger and more sure in a nightmare world, but it is not a happy book. It is an antidote to poison. It is inoculation against pervasive, enduring disease. Like a vaccine, it is briefly painful, leaves a lingering soreness, but armors you from the inside out."
--NPR

"In Rivers Solomon's highly imaginative sci-fi novel An Unkindness of Ghosts, eccentric Aster was born into slavery on--and is trying to escape from--a brutally segregated spaceship that for generations has been trying to escort the last humans from a dying planet to a Promised Land. When she discovers clues about the circumstances of her mother's death, she also comes closer to disturbing truths about the ship and its journey."
--BuzzFeed

"What Solomon does brilliantly in this novel is in the creation of a society in which dichotomies loom over certain aspects of the narrative, and are eschewed by others...Hearkening back to the past in visions of the future can hold a number of narrative purposes...The past offers us countless nightmares and cautionary tales; so too, I'm afraid, can the array of possible futures lurking up ahead."
--Tor.com

"This book is a clear descendent of Octavia Butler's Black science fiction legacy, but grounded in more explicit queerness and neuroatypicality."
--AutoStraddle

"Ghosts are 'the past refusing to be forgot, ' says a character in this assured science-fiction debut. That's certainly the case aboard the HSS Matilda, a massive spacecraft arranged along the cruel racial divides of pre-Civil War America."
--Toronto Star

Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She's used to the names; she only wishes there was more truth to them. If she were truly a monster, she'd be powerful enough to tear down the walls around her until nothing remains of her world.

Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship's leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot--if she's willing to sow the seeds of civil war.

'Everything is Now' brings together in one volume all of the short fiction of Jamaican born author Michelle Cliff. The stories examine the dualities of the modern world - black and white; America and the third world; past and present; femininity and masculinity and colonialism and revolution.

"Invisible Man" is a milestone in American literature, a book that has continued to engage readers since its appearance in 1952. A first novel by an unknown writer, it remained on the bestseller list for 16 weeks, won the National Book Award for fiction, and established Ralph Ellison as one of the key writers of the century. The nameless narrator of the novel describes growing up in a black community in the South, attending a Negro college from which he is expelled, moving to New York and becoming the chief spokesman of the Harlem branch of "the Brotherhood, " and retreating amid violence and confusion to the basement lair of the Invisible Man he imagines himself to be. The book is a passionate and witty tour de force of style, strongly influenced by T.S. Eliot's "The Waste Land," Joyce, and Dostoevsky.

This text tries to identify how American music is one more stage in the production of American myth, which has become, through the mass media, a summation of the expression of a popular culture. Marcus discusses Robert Johnson, The Band, Sly and the Family Stone, Randy Newman and Elvis Presley.

This acclaimed post-apocalyptic novel of hope and terror from an award-winning author "pairs well with 1984 or The Handmaid's Tale" and includes a foreword by N. K. Jemisin (John Green, New York Times).

When global climate change and economic crises lead to social chaos in the early 2020s, California becomes full of dangers, from pervasive water shortage to masses of vagabonds who will do anything to live to see another day. Fifteen-year-old Lauren Olamina lives inside a gated community with her preacher father, family, and neighbors, sheltered from the surrounding anarchy. In a society where any vulnerability is a risk, she suffers from hyperempathy, a debilitating sensitivity to others' emotions.

Precocious and clear-eyed, Lauren must make her voice heard in order to protect her loved ones from the imminent disasters her small community stubbornly ignores. But what begins as a fight for survival soon leads to something much more: the birth of a new faith . . . and a startling vision of human destiny.

A moving reflection on a subject that touches us all, by the bestselling author of Claire of the Sea Light

Edwidge Danticat's The Art of Death: Writing the Final Story is at once a personal account of her mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work. "Writing has been the primary way I have tried to make sense of my losses," Danticat notes in her introduction. "I have been writing about death for as long as I have been writing." The book moves outward from the shock of her mother's diagnosis and sifts through Danticat's writing life and personal history, all the while shifting fluidly from examples that range from Gabriel García Márquez's One Hundred Years of Solitude to Toni Morrison's Sula. The narrative, which continually circles the many incarnations of death from individual to large-scale catastrophes, culminates in a beautiful, heartrending prayer in the voice of Danticat's mother. A moving tribute and a work of astute criticism, The Art of Death is a book that will profoundly alter all who encounter it.

A vulnerable young girl wins a dream assignment on a big-time New York fashion magazine and finds herself plunged into a nightmare. An autobiographical account of Sylvia Plath's own mental breakdown and suicide attempt, "The Bell Jar" is more than a confessional novel, it is a comic but painful statement of what happens to a woman's aspirations in a society that refuses to take them seriously... a society that expects electroshock to cure the despair of a sensitive, questioning young artist whose search for identity becomes a terrifying descent toward madness.

"A fine novel, as bitter and remorseless as her last poems -- the kind of book Salinger's Fanny might have written about herself ten years later, if she had spent those ten years in Hell." -- Robert Scholes, "The New York Times Book Review."

"By turns funny, harrowing, crude, ardent and artless. Its most notable quality is an astonishing immediacy, like a series of snapshots taken at high noon." -- "Time."

"A special poignance... a special force, a humbling power, because it shows the vulnerability of people of hope and good will." -- "Newsweek."

THE BLUEST EYE chronicles the tragic, torn lives of a poor black family in 1940s Ohio: Pauline, Cholly, Sam and Pecola. Pecola, unlovely and unloved, prays each night for blue eyes like those of her privileged blond white schoolfellows. She becomes the focus of the mingled love and hatred engendered by her family's frailty and the world's cruelty as the novel moves toward a savage but poignant resolution.

Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with a woman half his age. And it's not the secret of his alleged racism, which provoked the college witchhunt that cost him his job. Coleman's secret is deeper, and lies at the very core of who he is, and he has kept it hidden from everyone for fifty years. Set in 1998, with the backdrop of the impeachment of a president, "The Human Stain" shows us an America where conflicting moralities and ideological divisions result in public denunciations and houndings, and where innocence is not always a good enough excuse.

"The Sun Also Rises" was Ernest Hemingway's first big novel, and immediately established Hemingway as one of the great prose stylists, and one of the preeminent writers of his time. It is also the book that encapsulates the angst of the post-World War I generation, known as the Lost Generation. This poignantly beautiful story of a group of American and English expatriates in Paris on an excursion to Pamplona represents a dramatic step forward for Hemingway's evolving style. Featuring Left Bank Paris in the 1920s and brutally realistic descriptions of bullfighting in Spain, the story is about the flamboyant Lady Brett Ashley and the hapless Jake Barnes. In an age of moral bankrupcy, spiritual dissolution, unrealized love, and vanishing illustions, this is the Lost Generation.

The Woman of Colour is a unique literary account of a black heiress' life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father's will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed "widow" who flouts the conventional marriage plot.

The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman's perspective.