-Classical Literature

This new verse translation of Aristophanes' comedies offers one of the world's great comic dramatists in a form that is both historically faithful and theatrically vigorous. Aristophanes' plays were produced for the festival theater of classical Athens in the fifth century BC and encompass the whole gamut of humor, from brilliantly inventive fantasy to obscene vulgarity. This edition includes a substantial general introduction and introductory essays for each of the plays, as well as full explanatory notes and an index of names.

Based on the legends used in Greek drama, Seneca's plays are notable for the exuberant ruthlessness with which disastrous events are foretold and then pursued to their tragic and often bloodthirsty ends. Thyestes depicts the menace of an ancestral curse hanging over two feuding brothers, while Phaedra portrays a woman tormented by fatal passion for her stepson. In The Trojan Women, the widowed Hecuba and Andromache await their fates at the hands of the conquering Greeks, and Oedipus follows the downfall of the royal House of Thebes. Octavia is a grim commentary on Nero's tyrannical rule and the execution of his wife, with Seneca himself appearing as an ineffective counsellor attempting to curb the atrocities of the emperor.

Medea, in which a spurned woman takes revenge upon her lover by killing her children, is one of the most shocking and horrific of all the Greek tragedies. Dominating the play is Medea herself, a towering and powerful figure who demonstrates Euripides' unusual willingness to give voice to a woman's case. Alcestis, a tragicomedy, is based on a magical myth in which Death is overcome, and The Children of Heracles examines the conflict between might and right, while Hippolytus deals with self-destructive integrity and moral dilemmas. These plays show Euripides transforming the awesome figures of Greek mythology into recognizable, fallible human beings.

Sophocles' greatest plays reissued in the new Classical Greek Dramatists series. Introduced by series editor J Michael Walton

Includes the surviving complete plays: Ajax which plots the downfall of Odysseus's greatest Trojan enemy - who slaughters a whole herd of cattle before killing himself; Women of Trachis in which the seemingly docile Deianira prepares a lethal homecoming for her womanising husband Heracles; in Electra the son and daughter of the ill-starred Agamemnon plan their revenge on their usurping stepfather and mother and finally Philoctetes in which Sophocles brilliantly explores the themes of pain, love and the betrayal of trust.

The Roman dramatist Terence (c. 186-159 BC) adapted many of his comedies from Greek sources, rendering them suitable for audiences of his own time by introducing subtler characterization and more complex plots. In his romantic play, "The Girl from Andros" Terence portrays a love affair saved by a startling discovery. "The Self-Tormentor" focuses on a man's remorse after sending his son to war, and "The Eunuch" depicts a case of mistaken identity. "Phormio" is as rich in intrigue as a French farce, while "The Mother-in-Law" shows two families striving to save a marriage and "The Brothers" contrasts strict and lenient upbringings. With their tight plots and spare dialogue, Terence gave his plays a sense of humanity that became a model in the Renaissance and greatly influenced Moliere.