Both an introduction to film study and a practical writing guide, this brief text introduces you to major film theories as well as film terminology, enabling you to write more thoughtfully and critically. With numerous student and professional examples, this engaging and practical guide progresses from taking notes and writing first drafts to creating polished essays and comprehensive research projects. Moving from movie reviews to theoretical and critical essays, the text demonstrates how an analysis of a film can become more subtle and rigorous as part of a compositional process.

Aldous Huxley's tour de force, Brave New World is a darkly satiric vision of a "utopian" future—where humans are genetically bred and pharmaceutically anesthetized to passively serve a ruling order. A powerful work of speculative fiction that has enthralled and terrified readers for generations, it remains remarkably relevant to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying entertainment.

Longus's romance tells the story of two teenagers, Daphnis and Chloe, who love each other but do not know how to make love. Around their predicament Longus weaves a fantasy which entertains and instructs, but never errs in taste. The hard toil and precariousness of peasant life are here, but so are its compensations--revelry, music, dance, and storytelling. Above the action brood divinities--Eros, Dionysus, Pan, the Nymphs--who collaborate to guide the adolescents into the mystery of Love, at once a sensual and a religious initiation. Daphnis and Chloe is the best known, and the best, of the early Greek romances, precursors to the modern novel. Admired by Goethe, it has been reinterpreted in music and art by Ravel and Chagall. This new translation is immensely readable, and does full justice to the humor and humanity of the story.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

James Joyce's Dubliners is an enthralling collection of modernist short stories which create a vivid picture of the day-to-day experience of Dublin life. This Penguin Classics edition includes notes and an introduction by Terence Brown.

Joyce's first major work, written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. From 'The Sisters', a vivid portrait of childhood faith and guilt, to 'Araby', a timeless evocation of the inexplicable yearnings of adolescence, to 'The Dead', in which Gabriel Conroy is gradually brought to a painful epiphany regarding the nature of his existence, Joyce draws a realistic and memorable cast of Dubliners together in an powerful exploration of overarching themes. Writing of social decline, sexual desire and exploitation, corruption and personal failure, he creates a brilliantly compelling, unique vision of the world and of human experience.

James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness.

If you enjoyed Dubliners, you might like Joyce's Ulysses, also available in Penguin Modern Classics.

'Joyce redeems his Dubliners, assures their identity, and makes their social existence appear permanent and immortal, like the streets they walk'
Tom Paulin

'Joyce's early short stories remain undimmed in their brilliance'
Sunday Times

The definitive text of Jane Austen's penetrating and sparkling satire, Emma, this Penguin Classics edition includes an introduction by Fiona Stafford. Emma Woodhouse, handsome, clever, rich - and fiercely independent - is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the advice of her good friend Mr Knightley and attempts to arrange a suitable match for her pretty, naïve Harriet Smith, her well-laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine, and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work. Edited with an introduction by Fiona Stafford, this edition includes a chronology, additional suggestions for further reading, and the original Penguin Classics introduction by Tony Tanner. Jane Austen (1775-1817) was extremely modest about her own genius but has become one of English literature's most famous women writers. Austen began writing at a young age, embarking on what is possibly her best-known work, Pride and Prejudice, at the age of 22. She was also the author of Sense and Sensibility, Persuasion, Northanger Abbey and Mansfield Park. If you enjoyed Emma, you may like Charlotte Brontë's Villette, also available in Penguin Classics. 'These modern editions are to be strongly recommended for their scrupulous texts, informative notes and helpful introductions' Brian Southam, the Jane Austen Society 'The author of Emma ... has produced sketches of such spirit and originality that ... in this class she stands almost alone' Sir Walter Scott

In this book Tony Curtis, himself an award-winning poet, offers clear and positive help to students who are faced by a modern poem which puzzles and frightens them. How do we proceed to construct a critical response to a poem which may not rhyme, may not have metrical regularity, may not be written in verses or even have conventional punctuation? This book deals imaginatively and originally with such problems. It also provides helpful critical readings of many of the major poems of the post-war years, by poets such as Ted Hughes, Sylvia Plath, Dylan Thomas, Philip Larkin, Seamus Heaney, R S Thomas, Dannie Abse and William Carlos Williams.

Jacques the Fatalist is a provocative exploration of the problems of human existence, destiny, and free will. In the introduction to this brilliant translation, David Coward explains the philosophical basis of Diderot's fascination with fate and examines the experimental and influential literary techniques that make Jacques the Fatalist a classic of the Enlightenment.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

These popular Shakespeare editions attractively presented and designed to make Shakespeare relevant to students. The plays are initially summarised in lively line illustrations that present the story in pictures to assist students to recognise the plot and major issues. This is followed by an introduction to Shakespeare's life, historical background and settings, and the attitudes of the period. The full text of the play is included with copious notes on language, historical significance and cross-references to other scenes. All are near A4 in size.

This new edition of King Lear takes into account the work of the Shakespeare and Schools Project, the national curriculum for English, developments at GCSE and A-level, and the probable development of English and Drama throughout the 1990s. Cambridge School Shakespeare considers King Lear as theatre and the text as script, enabling students to inhabit the imaginative world of the play in an accessible, meaningful and creative way. It approaches the play in a new way, encouraging students to participate actively in examining it, to work in groups as well as individually, to treat the play as a script to be re-created, and to explore the theatrical/dramatic qualities of the text. The editorial comments cater for students of all ages and abilities, providing clear, helpful guidelines for school study. The format of the plays is also designed to help both experienced and inexperienced teachers.

In "Manon Lescaut" the young Chevalier des Grieux recounts the tragic story of his passion for Manon and betrayal at her hands. Capricious, mercenary, alert to virtue but alive to pleasure, Manon is one of literauture's great "femmes fatales." With her des Grieux lives in torment; without her, life seems meaningless.