"Caribbean women – black, white and brown, free and enslaved, migrants and creoles, rich and poor – are assembled in this book and their lives examined as they battled both against male domination and among themselves for social advantage. Females challenged each other for monopoly access to and use of terms such as ‘woman’ and ‘feminine’ in the process widening the existing social and ethnic divisions among themselves, and thus fragmenting their collective search for autonomy. Hilary Beckles uses the method of narrative biography with its appealing sense of immediacy of women’s language, script and social politics, to expose the gender order of Caribbean slave society as it determined and defined the everyday lives of women. He also seeks to explore the effectiveness of women’s actions as they searched for freedom, material betterment, justice and social security. Understanding how gender is socially determined, understood and lived serves to illuminate why and how some women subscribed to the institutional culture of patriarchy while others launched discreet missions of self-empowerment and collective liberation. This book is about feminism in action, not theorized by post-modern radicals, but by women who actively sought to create spaces and build structures within self-conceived visions of social advancement. "
Connecting Africa to the Caribbean through vibrant, sensuous descriptions, this collection of stories follows a young white girl who is plunged into a puzzling awareness of the complexities of race relations. Whether trying to understand her parents, their Muslim servant’s sense of the sacred, or the incomprehensible prohibitions of a colonial childhood, the maturing girl struggles to rectify the constant tension between the sense of separateness and the desire to belong. Told in a touching, first-person voice, this collection of elegant and poignant stories captures the anima of Africa and the Caribbean.
Chattel House Blues is an account of the struggles of Black Barbadians in the 20th century to secure a place within an island their labour had built as a monument to British colonialism. Having fought against the local oligarchy in the streets of Bridgetown in 1937, black workers and their middle class allies, finally secured universal adult suffrage in 1950 and finally independence in 1966 ending the Great House Rule that had begun three hundred years earlier.
But political democracy and national independence did not bring to the new majority community the full feeling of citizenship promised by the founders of the nation. Politically enfranchised but economically disenfranchised and culturally alienated the struggle was rekindled to confront the past and bring justice and equality to the new dispensation; a cultural movement that seeks to centre and promote the African sensibility of the majority community took root and found expression in discourses within the arts, academia, and grass-roots community organisations.
This book analyzes the effect of the colonial experience on the protagonists in the novels of Pedro Juan Soto, a renowned author of the Puerto Rican "Generation of 1950." Arguing-in keeping with Soto's generational and personal pessimism-that the protagonists are anti-heroes who struggle with their environment and succumb to it in different ways, it acknowledges that the themes of the Puerto Rican novel are firmly rooted in the island's reality, and offers a cogent review of the literary and socio-political context against which Soto's work must be understood. It also inserts Soto into the canon of post-colonial writers while foregrounding his realist approach to characterization, which is the author's means of articulating his social concerns.
The study deals with aspects of the experiences of Black peoples in Africa, Europe and the Americas that resulted from the transatlantic slave trade and slavery. The study looks specifically at the way in which Africans were acquired from work in the Americas, the Middle Passage or transit across the Atlantic Ocean, the conditions under which they labored in their new environments, the brutalities that they suffered at the cruel hands of their enslavers, the material and social culture that they developed under the very extreme conditions in which they lived, their struggles for freedom, and their attempts to lift themselves up by their own bootstraps after slavery was abolished as a legal institution.
The study deals with aspects of the experiences of Black poeples in Africa, Europe and the Americas that resulted from the transatlantic slave trade and slavery. The study looks specifically at the way in which Africans were acquired from work in the Americas, the Middle Passage or transit across the Atlantic Ocean, the conditions under which they laubored in thier new environments, the brutalities that they suffered at the cruel hands of their enslavers, the material ans social culture that they developed under the very extreme conditions in which they lived, their struggles for freedom, and their attempts to lift themselves up by their own bootstraps after slavery was abolished as a legal institution.
from the foreword) ...... If we look around and observe the many buildings of traditional Barbadian architecture - from the great houses to the humble chattel - that have been allowed to fall into decay, and the alarming number that have been demolished since our Independence, we lose our claim to advancing into maturity, despite sixteen years of self determination.
ISBN/SKU:
9789768025012
Author:
Ronnie Hughes Henry Fraser
Publication Date:
1986-08-19
Publisher:
The Barbados National Trust and Art Heritage Publications
In a world of increasing globalisation and artistic imperialism, a nation's unique culture must be placed at the centre of its political and economic development. For Curwen Best it is culture, particularly popular culture, that most eloquently and democratically expresses the aspirations and needs of a people. To that end, he explores the work of his native Barbados' major artists in the fields of literature, drama and music. Among the many artists critiqued and illuminated are the historian and poet Kamau Brathwaite, the playwright and radio dramatist Jeanette Layne-Clark, and the singers Gabby, Marvo Manning, Johnny Koieman and the chanter Lil' Rick. Throughout, the author pays homage to that unique Barbadian contribution to Caribbean music known as the tuk band, whose structure, rhythms and melodies lie at the hart of the best of the island's art.